Sunday, March 27th, 2011 05:31 am
dune as interpreted by david lynch - ending
Until the end of time, I will still wonder why the Fremen went to war and just happened to bring along a few sets of tritons, conveniently lined up against the wall and ready for use during the Paul/Feyd (oh, if only the fic existed for that) knifefight. You're saying to yourself, "THAT IS WHAT YOU NOTICED?" in between the, er, floating baron spinning mid air before, um, being blown out a convenient hole in the wall and kind of--spinning through the air until he's eaten by a worm while Paul and the Fremen look on in approval and Alia encompassing the stereotype of every evil child ever right up to evil creepy child voice, but yes, I want to know who thought, going to war, let me grab five sets of these terribly conspicuous, heavy, unwieldy drums, just in case of melodramatic emergency.
I just--there's something really weird about riding giant worms carrying drums. Like, it feels beneath shai-halud dignity, okay? Think about it; you're a giant worm, you got stuck with a fancy Fremen crowbar and OUCH OUCH OUCH so you roll over and then TRICKERY the humans are riding you! But fine, fuckers, it's for going to war which you're a giant worm, you are always killing humans and now you're driving humans to kill other humans, so that's consistent. Until you realize, no, you're not carrying tiny humans to kill other humans; you're carrying tritons that the tiny humans will play for dramatic emphasis and all you can think is, the other makers are never going to stop laughing. And they won't.
1.) The entire Reverend Mother spontaneously losing hair thing is not book canon, but it was a very cool marker for making them more intimidating visually and marking them as really fucking dangerous. The entire theme of fancy hats in the miniseries was really--I don't know. The entire hat thing--and that cone thing that made Alia look like a pencil eraser in the miniseries Children of Dune (and the less said about Farad'n's wedding attire, the better; who picked that?) was just unsettling.
2.) No matter how hard I try, I don't get Lynch substituting the entire "Weirding Sound Thing of Weirdness" for the reason the Emperor was afraid that Leto would build a better army instead of just building on the stated fact in the movie that Leto was super popular in the Landsraad because he was awesome and due to that, had attracted fanatically loyal, brilliant military commanders.
One of the things Lynch's movie captured (somewhat) was the Known Universe was very militarized, and--I don't know if this was stated in the movie--a big reason the empire was relatively stable was because while the emperor had an army, every Major House in the Landsraad did too and the Emperor's army equaled that of the combined Landsraad. The Emperor's army was trained on the second suckiest planet, Salusa Secondus, a radiation wasteland, and where the strongest survive is like, literal. They were fanatically loyal, super violent, and scary as shit. The movie didn't really touch on that at all, which still annoys me, since developing the military rivalry of fanatic Saurdaukar who are basically brainwashed versus Leto's people being fanatics because he's awesome (and he really is just that awesome) would have drawn in the entire reason Leto was negotiating with the Fremen at all and okay, stopping now. It's just--for the same amount of time spent with the Weirding Sound thing of Weirdness, we could have gotten the actual reason, which a.) made sense, b.) was really awesome.
I finished re-reading Dune, Heretics of Dune, and Chapterhouse: Dune; yeah, skipped three to leap ahead.
For the record; Heretics and Chapterhouse are surprisingly good and are better written and better paced than Dune itself, and they're also massively female pov and dominated by powerful female-only organizations; the Bene Gesserit, the Fish Speakers (Leto II's private fanatic army and their descendants) and the Honored Matres. It's not necessarily inconsistent with the earlier books in philosophy, but--still.
But going back to Dune:
This bothers me: in however many years people have been using melange, which is a fucking lot, in all that time, no one--and I mean no one--worked out where it came from? Like, even by accident? The entire basis of a lot of Dune is that no one knows where the mysterious Spice comes from. They can clone people, travel in space, see the future, control people's minds with special voice training, but spice is this eternal mystery of mysteriousness. They know:
1.) Spice can only be found on Dune.
2.) Dune has giant sandworms that don't exist anywhere else.
3.) Sandworms are really attracted to spice.
4.) No matter how much they take, the spice does not run out.
5.) These facts are in no way connected whatsoever.
The worst part--and I mean, really--is when people do find out, there is not chagrined shock--we have missed something really simple!--but instead this strange, "Wow, this is proof Muad'dib is superawesome and inscrutable; he worked out the worms and the spice are connected! How is this possible? It is so obscure and strange!" and everyone draws in a breath in awe and amazement at the fact it took having to achieve COSMIC POWERS to do cause and effect that the average five year old could work out within twenty minutes of the movie starting. If you read the book, the first time they tell you about Arrakis.
And now I go back to ignoring that again. Very thoroughly.
I just--there's something really weird about riding giant worms carrying drums. Like, it feels beneath shai-halud dignity, okay? Think about it; you're a giant worm, you got stuck with a fancy Fremen crowbar and OUCH OUCH OUCH so you roll over and then TRICKERY the humans are riding you! But fine, fuckers, it's for going to war which you're a giant worm, you are always killing humans and now you're driving humans to kill other humans, so that's consistent. Until you realize, no, you're not carrying tiny humans to kill other humans; you're carrying tritons that the tiny humans will play for dramatic emphasis and all you can think is, the other makers are never going to stop laughing. And they won't.
1.) The entire Reverend Mother spontaneously losing hair thing is not book canon, but it was a very cool marker for making them more intimidating visually and marking them as really fucking dangerous. The entire theme of fancy hats in the miniseries was really--I don't know. The entire hat thing--and that cone thing that made Alia look like a pencil eraser in the miniseries Children of Dune (and the less said about Farad'n's wedding attire, the better; who picked that?) was just unsettling.
2.) No matter how hard I try, I don't get Lynch substituting the entire "Weirding Sound Thing of Weirdness" for the reason the Emperor was afraid that Leto would build a better army instead of just building on the stated fact in the movie that Leto was super popular in the Landsraad because he was awesome and due to that, had attracted fanatically loyal, brilliant military commanders.
One of the things Lynch's movie captured (somewhat) was the Known Universe was very militarized, and--I don't know if this was stated in the movie--a big reason the empire was relatively stable was because while the emperor had an army, every Major House in the Landsraad did too and the Emperor's army equaled that of the combined Landsraad. The Emperor's army was trained on the second suckiest planet, Salusa Secondus, a radiation wasteland, and where the strongest survive is like, literal. They were fanatically loyal, super violent, and scary as shit. The movie didn't really touch on that at all, which still annoys me, since developing the military rivalry of fanatic Saurdaukar who are basically brainwashed versus Leto's people being fanatics because he's awesome (and he really is just that awesome) would have drawn in the entire reason Leto was negotiating with the Fremen at all and okay, stopping now. It's just--for the same amount of time spent with the Weirding Sound thing of Weirdness, we could have gotten the actual reason, which a.) made sense, b.) was really awesome.
I finished re-reading Dune, Heretics of Dune, and Chapterhouse: Dune; yeah, skipped three to leap ahead.
For the record; Heretics and Chapterhouse are surprisingly good and are better written and better paced than Dune itself, and they're also massively female pov and dominated by powerful female-only organizations; the Bene Gesserit, the Fish Speakers (Leto II's private fanatic army and their descendants) and the Honored Matres. It's not necessarily inconsistent with the earlier books in philosophy, but--still.
But going back to Dune:
This bothers me: in however many years people have been using melange, which is a fucking lot, in all that time, no one--and I mean no one--worked out where it came from? Like, even by accident? The entire basis of a lot of Dune is that no one knows where the mysterious Spice comes from. They can clone people, travel in space, see the future, control people's minds with special voice training, but spice is this eternal mystery of mysteriousness. They know:
1.) Spice can only be found on Dune.
2.) Dune has giant sandworms that don't exist anywhere else.
3.) Sandworms are really attracted to spice.
4.) No matter how much they take, the spice does not run out.
5.) These facts are in no way connected whatsoever.
The worst part--and I mean, really--is when people do find out, there is not chagrined shock--we have missed something really simple!--but instead this strange, "Wow, this is proof Muad'dib is superawesome and inscrutable; he worked out the worms and the spice are connected! How is this possible? It is so obscure and strange!" and everyone draws in a breath in awe and amazement at the fact it took having to achieve COSMIC POWERS to do cause and effect that the average five year old could work out within twenty minutes of the movie starting. If you read the book, the first time they tell you about Arrakis.
And now I go back to ignoring that again. Very thoroughly.
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From:Heretics adn Chapterhouse are set about ten thousand years after the events of Dune and are epic. It's all about the Bene Gesserit, the remains of what Paul and Leto II did, and they are good. The character development is better, teh political commentary is slightly more--relevant--and there are Honored Matres, who are taking over civilization by addicting men to sex. It sounds ridiculous, but it's kind of horrifying in actual action.
And I swear, Frank spends thsoe two books making it really clear men should not a.) meddle in teh affairs of women and b.) should never have power or something. It is the weirdest commentary I've seen on society or in sci-fi when he basically reveals all of society is matriarchal and controlled by women; it's a very weird reversal. There is no commentary or idea there are 'men jobs' that women can't do; there's a ton on men being taught things that are for women only (all of Bene Gesserit training, for example) leads to disaster because they just can't handle it if they dont' die from it.
It's--weird.
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Herbert: women
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Re: Herbert: women
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Re: Herbert: women
From:Completely shifting gears, have you read Lois McMaster Bujold's Vorkosigan books? Your discussion here and in the previous entry about the militarized setup of the empire was giving me some vibes of Imperial Barrayar.
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From:JIHAD, BUTLERIAN: (see also Great Revolt) — the crusade against computers, thinking machines, and conscious robots begun in 201 B.G. and concluded in 108 B.G. Its chief commandment remains in the O.C. Bible as "Thou shalt not make a machine in the likeness of a human mind."
Of course, they did have the Mentats, which were kind of like human computers who used special drugs to enhance cognition. But as I recall, the Spacing Guild discouraged research into the spice so they could maintain a monopoly.
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From:I've always thought it made an interesting contrast because in both cases, the problem was considered teh existence of the technology being the problem.
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From:One of teh more intersting ones is the no-technology, which is "invisible" to all known ways of finding and locating ships, including prescience, which becomes a plot point. And the Tleilaxu's genetics work is another one, where they find a way for a ghola (a clone created from the cells of a cadaver, whereas the word 'clone' indicates the person was alive when the cells were harvested) to regain their former memories (to be fair, that was accidental; teh Tleilaxu apparently theorized it and set up a sitaution where Idaho would either kill Paul or remember, so win/win). Even stillsuits had 'models' that changed/upgraded/came in different types and qualities. And weapons of assassination were always hot topics.
The only otehr tech they mention not entirely understanding is the basis for teh functionality of the Holtzman engines and how they folded space, but that was something people were actively still studying, unlike melange, which seemed to ahve a "and it appears! Weird!" thing going on.
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From:This is a fair point. I put it down to: (a) spice is "mined" and thus spoken of and possibly classified as a mineral in common terms; (b) outside of Fremen and probably some Harkonnen researchers (who aren't telling), the sandworms aren't really understood, and their pervasive presence in Arrakis ecology *isn't* well known; (c) even those who can't help having the data don't like to think of the Force That Holds Civilization Together being, essentially, crystallized worm pee. I suspect a certain amount of "We don't talk about it because then we'd have to kill each other" going on, too.
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From:I read the entire Dune Series probably about 10 years ago. That's a guess. I'm thinking I had my daughter, but not my son, and that I wasn't online at that point. Regardless, I remember being enthralled with the original series (I'm talking books only here) and getting more and more confused as the books went on. I did find the entire universe interesting, though. I remember particularly liking the Bene Gesserit Sisterhood, simply because they were badasses.
The Dune books are a great way to pass time, as long as you don't try to make sense out of them. I liked your observations, though. They made me grin.
And I do have a Dreamwidth account, I just can never remember my password. I go by txrabbit here and at livejournal.
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From:*nods nostalgically*
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Re:
From:...but seriously, where did they think it came from? The Spice Fairies?
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From:It's gross, is what I'm saying.
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From:*STARES IN ADORATION AT SHAI-HALUD KITTEN*
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From:http://dropline.net/cats/images/dune-cat.jpg
:)
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From:I knew I was in trouble with this whole thing when I went - not having read a thing - to the Lynch movie with a friend and was handed a glossary.
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From:Your post commentaries are all truly fantastic and make me want to watch and read everything again. Damn homework for getting in the way!
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From:Well, you know, sometimes people have blind spots. :-) But yeah, this is exactly what ruined "Speaker for the Dead" for me. Yeah, the cycle was kind of weird, but not *that* weird. *Think*, people, think!
(One of the best things about the Dune movie for me was the Guild pilots because they somehow looked *exactly* as I had imagined them.)
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From:Of course, I have read it again since then and I am proud to say I *love* the politics and world building of it (now that I am old enough to understand them), but I will never forget that first moment of "WTF?" when I first read the book.
Also, your comments regarding the Spice made me laugh and laugh, because seriously, what was he thinking? Is it supposed to be ironic? I mean, Dune can be interpreted as a critique on our society, where water stands for other goods like oil, so maybe we are all blind to the obvious regarding natural resources?
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From:And you'll appreciate this--I have a butterscoth tabby cat whose name is Darwi (if she'd been a boy, she'd have been Muad'dib). My sister and father are the only people I haven't had to explain her name to. I think if I ever met a man who knew where her name came from, I'd marry him on the spot.
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From:Yeah, everyone reading figures the connection out, but I also remember the Dramatikal Prose of the reception by the characters.
I think the blindspot mostly come from the fact that everyone who came into contact with 1) Spice 2)Sandworms have such a sense of religious fear that the two facts are connected conceivably never occurred to them and possibly one of the main points that entire Dune septology tried to make. Even if they suspect it at the back of their minds, it would've crystallized into a coherent thought.
Just look at the theories about Jesus' birth. Or, less controversially, causes of global warming...
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