Wednesday, June 28th, 2006 01:18 am
insta!rec - Scheherazade by in-wintertime
Scheherazade by
in_wintertime, rec stolen from
2naonh3_cl2
I really--I mean, *really*--want to devote a few hours to talking about this, but it's one twenty in the morning and basically I'm already screwed to zombiedom tomorrow at work.
But.
This and
samdonne are the reason the lure of the gen side of the force is so fucking *powerful*.
ltlj,
pentapus, and
miss_porcupine gave me a taste for it, and
in_wintertime and
samdonne have just helped it along. This story is amazing.
And for our next assignment: compare and contrast Your Cowboy Days Are Over by
samdonne with Scheherazade. Mull on character-based plot and truly alien species. When you get done, thank God this is our fandom and we get to *read these*.
Fifty five thousand words, give or take. Bring coffee and some food. You won't be getting back up anytime soon.
I really--I mean, *really*--want to devote a few hours to talking about this, but it's one twenty in the morning and basically I'm already screwed to zombiedom tomorrow at work.
But.
This and
And for our next assignment: compare and contrast Your Cowboy Days Are Over by
Fifty five thousand words, give or take. Bring coffee and some food. You won't be getting back up anytime soon.
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sort of a spoiler
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From:I am so glad I didn't know about it until it was done. Would totally not have survived between updates.
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From:Now I'm running off to read the first rec - thank you for bringing all these works to our attention. People who rec stories totally *rock*.
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From:But now I have to read it.
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From:God. Amazing.
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From:(and now i want to write an essay on the two but...nooo...have work to do!)
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From:Though--my total darkest secret right now--is I really, really want to do an Atlantis/Neuromancer crossover. No clue *why*, but my sci-fi roots keep coming out and trying to worm their way in.
Argh. You. *points* Essay. For the good of fandom!
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From:no time! kant - schlegel - fichte - schelling
i have all kinds of neuromancer issues, but i think that could be really interesting! as i said, i'm more a dick fan... but, yes, sf allows you to explore all these amazing issues that are otherwise much more difficult to address, b/c you can literally transplant memories, take minds out of bodies and place them else where...
i realized a while back that most of my plot kinks all come down to questions of identity and the role of the environment: amnesia, time travel, multiverses and what ifs. All of them compare who we are versus who we might be. And the memory devices in both novels address similar issues, just more literally: can we divorce our experiences from ourselves? Are we our memories (I was reminded of the story that was the base for Total Recall and the one where the guy's body gets lost while his mind's downloaded into a lion...)?
What I love, however (beyond the clear canonicity and the way both were just so SGA rather than random cyberpunk) was the way it addressed not a generic response but the particular one: this was *John* in Cowboys, trying to figure out which memory to let go; it was John with all his fucked up parent issues, who had to deal with his cloned children and the questions raised as to whether they were or were not *his* son...it was John suddenly fighting like Rodney in Scheherazade, Rodney whose memories were mixed and contaminated and...
My very first diss topic (that quickly got shot down :-) was going to be on sf and psychoanalysis, on stories that addressed the intersection between psychosis and fantasy (like lots of Doris Lessing's later work, Women on the Edge of a Nervous Breakdown, heck, even Slaughterhouse 5, and, of course, lots of Dick). I was fascinated by the insanity/really something alien...conundrum. And I think we see that play out quite a bit in sf (just think of Buffy's Normal Again, where it throws the entire premise into doubt...)
OK, shutting up now! Sorry!!!
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From:realized a while back that most of my plot kinks all come down to questions of identity and the role of the environment: amnesia, time travel, multiverses and what ifs. All of them compare who we are versus who we might be.
My strongest one--and this is because it's so freakishly flexible--is the choice between who someone is and who they could become, when someone makes the choice to becomes someone else--or someone better, or worse. And yes, time travel, amnesia, all of them totally cater to that.
And the total attraction is the sci-fi plot *personalized*, you totally have that. Both authors nailed it very close and very, very personal, so the implications felt very, very real.
it was John suddenly fighting like Rodney in Scheherazade, Rodney whose memories were mixed and contaminated and...
That moment was chilling as heck for me. Still is.
And short version: what you said.
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From:see, for me it can be about choice, but it doesn't have to be. the amnesiac doesn't have a choice but simply becomes this tabula rasa...though you're right, he goes back to having *all* the choices, *all* the possibilities, *all* the roads not taken (i just read aithine WIP and am thinking of bunches of amnesia fic in other fandoms, and you get both the established pairing where he forgets (!) as well as the amnesia as the opportunity to suddenly go for it....and now i want to read the NCIS season finale first time story with that premise!!!
and don't feel *rtoo* guilty keeping me from work...you actually got me excited again about trying to plan this course i'd promised to put together on cyberspace, identity, and...they want feminism...hmmm...off to look at Michael Heim...
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From:And yes, I think that, to a certain extent at least, it does work better in a preset environment - - fanfic! - - because we already understand the everyday lives of these people that we're going to methodically tear apart. That's why I adore AUs and mirror universes. It's a chance for us to see who they could have been and, in the twist I like even more, it's a chance for *them* to see who they could have been and to then be wonder what they are *now*.
When you cut through the incoherency above, I'm pretty sure this boils down to thank you so much for the rec and I'm really, really flattered to see there being actual meta.
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From:Because Midran thought that he understood everything, even though he didn't; and John was afraid that he had everything, even though Rodney, in the epilogue, explains that that isn't all of it. Yes, that's really the central philosophical conundrum of the novel, isn't it? Do our memories make *us*? I took a class years ago where we read Hans Moravec's Mind Children where he suggested that in the future we'd download ourselves into computers. And I kept on thinking "Where's the unconscious?" Are we still who we are if we simply add up all our memories? Or, said differently, are facts the truth? [Now, in a way, you went the opposite way, b/c the memories *are* selected and inflected via Rodney's emotional state, but even that is not sufficient, is it? There's still a surplus...and please stop me, b/c i'm catching myself saying rem(a)inder of the Real and having Zizek thoughts...runs off to her recovering Lacanian support group :)
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From:That is part of the appeal for fanfic--you can pull off much more extreme AUs than you can anywhere else, with a baseline already established.
Re: identity
See, that's where the amnesiac is cool, but works best for me when the amnesia itself is by choice--or someon'es given the choice to take back their life or start over. God, did you ever read RivkaT and MustangSally's multiverse AU, where Mulder and Scully were slowly slippign between dimensions, almost but never fully assimiliating into each one? That was a kicker--seeing the echoes of the original with the altered.
Back on track re Schehezarade--god, cannot spell that yet without looking...
What really did this for me is the fact that memory here is treated--by the Atlanteans--as sacred. Someone *scrwed with Rodney's head*. They took a copy of the core of him, and it just--God, that hurt *me*. And wrecked him in the process. Samdonne had a completely different but the same idea--John gave up memories willingly, but it was teh same feeling of violation.
I loved how in Schehezerade is that the implications of what this means, of someone else *having* Rodney's memories, is carefully spelled out. That shouldn't work, but it *does*, and John's assimiliation of those same kind of makes it uttelry clear what *Rodney* must have gone through, if only in seconds John absorbed so much.
*sighs* And I kind of wonder if the fact that John didn't pull the trigger on Renell was that McKay couldn't have either. I wonder.
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From:I am utterly fascinated with that from both ends...yes, the cyber and sf stuff, but also through my (previous) actual work, where it's all about eyewitness testimonies and how memory can or cannot access reality. There's a great book called Holocaust Testimonies where the author differntiates between different forms of memory, only one (the "deep memory") breaking through the various layers of language and remembering previous rememberings and the way we tend to narrativize experience.
So, yes! There's all these crucial ways in which memory and identity are intersecting and reality kind of circles around that but does it always? How often are we not sure if we remember something, dreamed it, read it, were told... I think part of the horror of Rodney's condition is the ever presence of *all* the memories and the intensity (going back to the NCIS finale, it almost broke me to see him having to relive the loss of his family, more than a decade later!)
Eh...sorry, I'm all over the place but yes, you're right that the choice to be violated is almost more intense...it invokes a level of freedom that the singularly violasted doesn't have (I think that's why we love the get raped to save your friend's life so much...it's the ability of humans to submit to suffering for a larger good kind of thing...)
And like you, i found the scrambling of rodney's memories and the violation interesting but the situation John was in even more so...and the alien culture where *knowing* someone is a form of knowing them...the way he keeps on introducing himself by using Rodney's memories!!!
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From:Exactly. And the parameters of the memory crystals were *intense* experiences. So it's not that he got an entire McKay--he got the *adrenalinized McKay*. Every one of those memories was intense and powerful and that's got to be, in some ways, kind of the memory equivalent of a speedball.
Eh...sorry, I'm all over the place but yes, you're right that the choice to be violated is almost more intense...it invokes a level of freedom that the singularly violasted doesn't have (I think that's why we love the get raped to save your friend's life so much...it's the ability of humans to submit to suffering for a larger good kind of thing...)
I'm a *junkie* for that. Junkie. And in both stories, both of them do it--John's in a more controlled, drawn-out manner, Rodney all at once.
And like you, i found the scrambling of rodney's memories and the violation interesting but the situation John was in even more so...and the alien culture where *knowing* someone is a form of knowing them...the way he keeps on introducing himself by using Rodney's memories!!!
God, it so was. And totally not getting the sheer horror of the Atlanteans, calling them selfish--argh.
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From:Oh, my. I would so totally read that crossover. (We studied the book at Uni this year, and while I really enjoyed it, most of my seminar group hated it. We had countless conversations along the lines of, "You actually liked that book? For the love of god, why?" Heh.)
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