So I mentioned it on Twitter but I forgot if I ever recced this series here, so I'm going to go for it.

A Mortal Bane (Magdalene la Bâtarde Book 1) by Roberta Gellis.

I've recced her before for her Roselynde Chronicles novels, which are all Women Who Inherit Huge Estates And Rule Them (And The Men That Love and Really Desperately Want to Marry Them). Some of the attitudes are slightly dated--though not very much--and some of the historical detail may be a little off, but the author was a historian and knew her shit so it's very much a matter of New Research Giving Different Interpretations, not Bad Author.

(Most of Gellis' books are Women Doing Shit (And the Men Who Want to Marry Them); there's also a really good one on a female merchant that gives a really good view of London merchant society during the reign of King John, but I digress.)

The Magdalene books follow, but our heroine runs an extremely expensive, extremely exclusive, extremely tiny brothel during the reign of King Stephen. She has a Mysterious But Noble and Tragic Past, and to escape that, became a prostitute, and things happened and she got patronage of a Great Man and now has the Old Priory for her brothel which used to be a guesthouse for the Church and so she pays rent to the Bishop of Winchester. She only keeps three women there, all of whom enjoy sex and she treats very well, and all were chosen for their specific--characteristics, and no I don't mean beauty or sexual hijinks--and the reason she can do it like this is that her house is designed for wealthy people--merchants or lords--who want discretion, intelligent companionship, women who genuinely enjoy their work, and to maybe plot treason or war on occasion. As one does.

Throughout these books, these things will never change, so know that going in; they will develop, however. Also, these books are Romance but also actually Mysteries. Which our prostitutes will be solving.

Welcome.

I put off reading these and regret it so much )
Reading Roberta Gellis' A Woman's Estate, book five in the Heiress series, set during Napolean Mark I.

Okay, overall the series is uneven and not nearly as fantastic and fun as her medieval, but that fifth book is just--and I say this as a Romance novel reader--there is some terrible pre-feminism in here. I don't object at all to anachronistic feminism and anti-racism. Even when it's done awkwardly or badly, I give points for good intentions or making a decent effort because even handled badly, they're trying desperately to handle it in a genre that is not really easy to pull it off in and most people don't even try to integrate it at all, much less make a sincere but awkward effort at it.

IDEK what was going on with this one, but it was really hideously awkward attempts at pre-feminism backed against invisible-to-the-author misogyny that's not used deliberately. Gellis had an earlier book where in her notes, she made reference to blaming women for the fall of women's rights in medieval europe, so haven't read that one again, but her Roselynde books are so strong in women's lives and etc that I can just ignore that one. It was weird and the few good points (noting law that made a woman stop existing when she married; that was genuinely unsettling to read, even though I was aware of it, detailing it out like that was very well done) but then it's offset with the story's supporting the idea that her wanting to not marry again or wanting freedom or etc was all about lacking trust in her husband and a mania, which fuck no.

There was a lot of mixed messaging here, is what I'm saying, and I can't give points for what she did do because the entire thing was based on HEROINE DOES NOT TRUST MEN AND WHY. And later, how she acknowledges her own foolishness, because hello, her goddamn points were valid even in--especially in--a happy marriage. I mean, that's what made it work. EVEN IF YOUR HUSBAND WAS LOVING AND RESPECTFUL, HE COULD AND DID DO THIS SHIT IN THE SPIRIT OF LOVE AND RESPECT AND THAT SHIT WAS STILL WRONG.

(Though it did have a genuinely touching, subtle moment with the hero questioning his mother and her responses were wonderfully drawn of a woman who had a perfectly happy marriage but also the small embarrassments/discomforts of the fact that as a married woman, she was owned by her husband and could own nothing herself; all belonged to her husband on his sufferance.)

I can't figure out why she bothered with the proto-feminism at all when the text itself was arguing against it or fighting it so hard. I think she made a stab at racism, but I won't swear to it because that was just weird and awkward and uncomfortable in a bad way. Your text should not argue for the purpose of proving that feminism is awesome, but with a good husband, not so much necessary.

Stick with the Roselynde series or the Royal Dynasty series, is what I'm saying.
Kindle E-Books From .99

And books!

Lord of Scoundrels by Loretta Chase - 99 cents

Captives of the Night by Loretta Chase - $2.99

Okay, for context on this, these are part of a loose shared Regency universe.

1.) The Lion's Daughter
2.) Lord of Scoundrels
3.) Captives of the Night
4.) The Mad Earl's Bride (short story in Three Weddings and a Kiss, totally worth buying the book just for it
5.) The Last Hellion

The The Lion's Daughter is not even in print anymore and that makes me want to cry because the bad guy from that one is fated to be completed in Captives of the Night with him being atoney and heroic and I kid you not, solving mysteries for repentance and er, the hero who falls in love with an artist. Angsty, tragic backstory, sketchy background, overthrows pashas in his spare time, kidnapping....but now he works for teh British government and it's kind of hilarious.

I love all these books (except the first one, dammit, not having read it), but Captives is by tone and subject matter and character and plot completely different from most of Loretta's work and if you read Scoundrels and Captives back to back, it will be a hard 180. It's extremely complex both emotionally and plotwise and don't get me wrong, it's romantic as hell, but it's not Romance really; what it is about is two very scarred people who worked very hard to make themselves decent lives in horrific circumstances; Loretta's heroines are always fairly independent, but Leila is my favorite for how hard she worked to create herself and make the best of her life despite a ruined childhood and a hideous marriage to a monster before his death made everything fall apart; Ismal's a hero who literally was a monster once upon a time and then decided to change. Neither of them need saving in any practical way; what they want is to be free.

The Grand Sophy by Georgette Heyer

And okay, my squee of the day...

Siren Song, Winter Song, Fire Song, and The Silver Mirror all by Roberta Gellis, all on Kindle, 1.49 each.

Also available is the entire Roselynde series, but it's not on sale yet and I'm still squeeing over these.

Okay, to explain; all of these are set during Henry III, and especially the second could be said to be, borrowing from [livejournal.com profile] hradzka with artistic license, it's woman inheriting keeps and organizing the shit out of them from the ground up. All three are very much focused on women being extremely competent, self-sufficient, and possessing a staggering number of skills in a time where in the lower nobility and knights your home is literally a castle also had to be the equivalent of an isolated town that had to provide pretty much everything you needed or you did without

One of my favorite things about Roberta's medieval books is how much time she spends showing women working; all her noble medieval heroines run one to several large castles, sit in justice, do budgeting and accounting, see to their textiles and sewing, riding out to visit serfs, oversee meals, food storage, are decent physicians, and basically outline (not all at once obviously) the daily life of a woman of the middle and lower noble classes where you had servants and serfs but not on the level of great wealth, vassals, and less direct responsibility for the household and more time to sit around reading poetry and being boring. Without really hard anachronistic behavior, she has some of the most interesting and hardworking women I've ever read who were raised and trained very thoroughly to be self-sufficient so as to get along fine while the men go off to war for years.

Honestly, these I'd recommend just for how well Roberta describes medieval women's lives and duties, especially when the story sets them in contrast with the lives of women in the upper nobility and royalty.

Not on sale, but also recommended is Great Maria by Cecilia Holland, which covers Maria's life from being the only daughter of a Norman knight in Italy who makes a living robbing people who are on pilgrimage to right before she and her husband's coronation. Also pretty much entirely a world of women with a fantastic view of Maria both running a variety of households as they slowly conqueror a large amount of Italy.

For me, I read them at a time I was very young and most of the books that focused on women also made them warriors or sorcerers or working against traditional gender roles as I saw them, or they were royalty/higher nobility; it was very cool to also have women who weren't secretly trained to be expert swordsmen or sent off to be mages or chosen to save a kingdom or being bartered in marriage in tight political situations on the cusp of battle being focused on and their work just as highly valued in the story and their roles to be shown as necessary. Not to mention realizing how much they actually did to assure everyone ate regularly, had decent clothes, were paid properly, oversee disputes, and have fascinating, full, interesting lives even if they didn't ride to war. Female competence in any role is awesome.

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