Saturday, August 19th, 2006 12:45 am
sgareview - the real world, s3e6
This isn't even a review. More like a fifteen second glimpse. Okay, longer because I'm not that great a typist, but still.
The greatest sin of this ep was that it basically wasn't about John or Rodney. This isn't a criticism of the ep, it's just where my fannish focus lies. But it seemed solid enough.
1.) Anything involving Jack is of the good. One, I now vaguely want to ship them in a pre-Atlantis one-night stand type of thing. I--huh. Het one night stand. How surreal. But okay. Jack was great. Jack was very Jack, perhaps even a condensed sort of Jack from her memories. They were *fun* together. I was not bored watching her interact with Jack.
2.) Her psychiatrist, shockingly enough, gave off so many creepy vibes I kept feeling I needed a shower to wipe the slime away. I liked Elizabeth's image of a psych ward--very movies, very Cuckoo, very cliched, but probably what anyone who hasnt' spent time in one would imagine. I also liked how she jumped at the chick talking about how the things took her blood, as they were cold--and I'd totally go to the possibly subconscious comparison to Wraith taking souls due to their own lack of souls, but that would be melodramatic.
Oh admit it. You totally went there with that, too.
3.) The moment with the cards was excellent. I mean, *excellent*. I loved that.
4.) Okay, I have seen criticism of John for doing his thing there--which, um, okay, hands raised, after three seasons--when has John *not* looked at danger and thought he should marry it and produce disturbing offspring? This is *John*. It's stupid and weird and emotionally consistent with Sateda and The Storm and The Eye and The Siege and...waaait. Lookie there. Consistency. It is no surprise to anyone that when it comes to how John reacts emotionally, he's of the school of thought that there is no sacrifice too great or too moronic. He's fine when working from an objective place. But OMG FAMILY IN DANGER is a hotwire to his deep, deep need to show love through body counts. Especially his own. And you know, I love him for that. That is so very John.
This is, however, separate from the concept of suicidal. And you know, as a joke, funny, like you know, Rodney getting shot in the ass. Suicial predisposes a desire to end his own life. John seems attached to living, or so Epiphany seems to bring across, but valuing others over himself isn't that. We usually don't associate it as a negative either, but maybe I'm just crazy in kind of admiring loving something or someone so much that you're willing to die for it. Or for them.
5.) Carson and Rodney? Cute. So cute. I love Carson being smart--we don't actually see that enough. We see a lot of implication of it happening off screen, but this? Good stuff. I wnat to like him. I do. And I really don't give a good shit about evil retrovirus crap things. Go Carson! Be smart!
6.) I no longer regret Blond Guy in Space. Freeze, jackass.
7.) I love having Elizabeth backstory. So. Much.
8.) OMG THE TRAILER! CANNOT BREATHE! NO BREATHING! I do not care if it's the worst ep since season four Smallville? This is already in my top ten for pretty much every scene they showed.
The greatest sin of this ep was that it basically wasn't about John or Rodney. This isn't a criticism of the ep, it's just where my fannish focus lies. But it seemed solid enough.
1.) Anything involving Jack is of the good. One, I now vaguely want to ship them in a pre-Atlantis one-night stand type of thing. I--huh. Het one night stand. How surreal. But okay. Jack was great. Jack was very Jack, perhaps even a condensed sort of Jack from her memories. They were *fun* together. I was not bored watching her interact with Jack.
2.) Her psychiatrist, shockingly enough, gave off so many creepy vibes I kept feeling I needed a shower to wipe the slime away. I liked Elizabeth's image of a psych ward--very movies, very Cuckoo, very cliched, but probably what anyone who hasnt' spent time in one would imagine. I also liked how she jumped at the chick talking about how the things took her blood, as they were cold--and I'd totally go to the possibly subconscious comparison to Wraith taking souls due to their own lack of souls, but that would be melodramatic.
Oh admit it. You totally went there with that, too.
3.) The moment with the cards was excellent. I mean, *excellent*. I loved that.
4.) Okay, I have seen criticism of John for doing his thing there--which, um, okay, hands raised, after three seasons--when has John *not* looked at danger and thought he should marry it and produce disturbing offspring? This is *John*. It's stupid and weird and emotionally consistent with Sateda and The Storm and The Eye and The Siege and...waaait. Lookie there. Consistency. It is no surprise to anyone that when it comes to how John reacts emotionally, he's of the school of thought that there is no sacrifice too great or too moronic. He's fine when working from an objective place. But OMG FAMILY IN DANGER is a hotwire to his deep, deep need to show love through body counts. Especially his own. And you know, I love him for that. That is so very John.
This is, however, separate from the concept of suicidal. And you know, as a joke, funny, like you know, Rodney getting shot in the ass. Suicial predisposes a desire to end his own life. John seems attached to living, or so Epiphany seems to bring across, but valuing others over himself isn't that. We usually don't associate it as a negative either, but maybe I'm just crazy in kind of admiring loving something or someone so much that you're willing to die for it. Or for them.
5.) Carson and Rodney? Cute. So cute. I love Carson being smart--we don't actually see that enough. We see a lot of implication of it happening off screen, but this? Good stuff. I wnat to like him. I do. And I really don't give a good shit about evil retrovirus crap things. Go Carson! Be smart!
6.) I no longer regret Blond Guy in Space. Freeze, jackass.
7.) I love having Elizabeth backstory. So. Much.
8.) OMG THE TRAILER! CANNOT BREATHE! NO BREATHING! I do not care if it's the worst ep since season four Smallville? This is already in my top ten for pretty much every scene they showed.
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From:Resisting commenting more as to protect virgin eyes.
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From:YES!! EXACTLY!!
And I loved Jack in the ep. Very... himself.
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From:And *yes* to John who rushes into danger. Also, John who *breaks quarantine* because he has to take action, he can't just sit around and wait. I was very happy with the Hot Zone callback.
Elizabeth backstory makes me very happy too. Although I swear, she should have known it was a dreamworld the moment Creepy Doctor (who was Cameron from Ferris Bueller, by the way) told her that she'd been negotiating a North African nuclear non-proliferation treaty. That's just crazy talk. Now, India/Pakistan would have made tons of sense.
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From:Next week's trailer made me squeal and bounce. I was more excited from seeing that for most of the entire episode.
Also, when the lady mentioned the others who wanted her blood my thoughts went:
Blood suckers -> vampires -> space vampires -> Wraith!
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From:Eeeeee!
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From:This last episode was okay...it's just my fannish interest really isn't Weir and I think this episode was done better in Buffy? At least at the end of that you weren't sure if Buffy was really crazy or not. :)
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From:Bzuh? But, but-- I wouldn't expect him to do anything else. It's what he *does*. In fact, it seemed like he was barely holding himself in check (in a still, Sheppardish sort of way) in all the scenes leading up to the one where he finally charged forward. He fights the bad
guysthings, *especially* when they attack his people.If he suddenly started getting all analytical and sensible I'd seriously start to worry. ;-)
Next week's ep looks *so* good.
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From:*dies* That would be funny.
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From:Hmm. But they *can* screw with his head. Jsut not kill him. Okay, I am totally in awe of you here, because I completely *forgot*.
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From:But when John held her arm, wow, my heart jumped. It is so rare to see him touch anyone in a non-romantic way.
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From:But he was LOVE. And the preview has me all excited about CG.
The part of John going into the curtain that made me laugh was the dramatic PAUSE to let him be in there long enough for the words he says and the DRAMA of it before anyone reacts to get him out of there. I wish they had shown John in Isolation. That would have made up for the BOREFEST that was the first 35 minutes of this ep.
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From:Elizabeth/John shippers must be very happy with this episode; but even if we don't look through sparky (?) eyes -- John does care for Elizabeth, surely loves her, trusts her and vice versa. He fought for her and refused to let her be alone in the battle -- reminded me of the moment when he said I am [going to order you to go with me in the jumper] to Zelenka in Grace Under Pressure, the same focus and determination.
Also, Rodney getting brilliant ideas in front of the mirror? *G* Oh, Rodney...
Re: Trailer -- Friday cannot come soon enough!
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From:That being said, there were some good parts of the show too, like -- hee! -- Rodney explaining everything to the guys with Carson squawking in the background, and Rodney tossing the canister of Wraith!Chunk in the air. Heh! Very cute. I also loved O'Neill here, and Torri put in a solid performance, even if her gasping squeeks of pain actually made me laugh outloud. The episode was, in and of itself, not bad. Just... about Elizabeth. Who I only tolerate on a good day.
So, all in all -- meh. But... squee! It's a very strange combo here.
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From:YES. EEEE! The character-focused episodes are really springing from Home in awesome and interesting ways. (Same music as when she last saw Simon and Sedge, for instance.) And it's so doubled up, how John's formative experience with Mitch and Dex still affects him, and how Elizabeth deals with her feelings.
What's so very awesome to me is that I sure recognized John's hair... for much of the episode Elizabeth had to overcome her fear of it! Hahaha. (Oh, there's a gay shadow in my room...) They did a great job juggling the father figures of her psyche. She really grew up in a man's world -- that became real apparent when I finally saw The Lost City shows, when she started acting independently of them instead of going along with them. Yet she's still so hungry for approval! I think of all the male figures she's got to choose from -- only John and Daniel have struck that perfect balance with her. I totally need to write an essay on that, because it's the one relationship that John seems to consciously handle the right way. Though her subconscious is afraid of what he represents (that too is consistent).
Yes, that big pause after "profound" made me shriek with laughter.
And YES YES YES I *knew* Critical Mass actually did its emotional closure and there was the watch she was playing with (just before John hitched himself on the desk in his sexatery pose)! I flipped with joy. I'm leaning towards the theory of SGA packing as much as possible into 44 minutes and then doing closure through props, like Sumner's dogtags (which stayed in John's room for a long time).
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From:I agree with you - John wasn't being suicidal, John was doing his whole "anything for family" thing, just as he said he would.
AND - randomly . . . if Blond Guy in Space was able to infect Elizabeth with nanites while choking her, why wasn't Rodney infected when Oberoth choked him? Are they suggesting there's an element of intent? The Replicator has to *want* to send over nanites to do some sort of nebulous evil? (And why wouldn't Oberoth want to do that to Rodney if he could?) /overthinking
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thinky. oops!
From:Which yeah, I had to slap my head, I thought they were only implying the ATAs are immune, then did a double-take that it's actually pretty canonical.
....though you know, it begs the question, why isn't Teyla with her Wraith DNA attacked?
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Re: thinky. oops!
From:Re: thinky. oops!
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From:I'm with you on the Elizabeth/Jack btw. It's obvious they were trying to push John/Elizabeth, but I came out of it with a distinct craving for Elizabeth/Jack. Actually, what I really want is Elizabeth/fake-Jack within the context of this episode. Because that would be all kinds of wierd and creepy awesomeness.
As for John's behavior? I don't think it was out of character at all. But that doesn't stop me from thinking it was incredibly, insanely stupid and wanting to shake for it *g*
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From:*G* I don't mind the John/Elizabeth. This is the Stargate universe, where no one ever really consummates anything, so I'm not worried. Let them have shippery moments, I say!
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From:Otherwise the episode was just not much. RDA was a delight, but he cannot not be a delight so that's expected. :)
I didn't hate the episode, but after the roller-coaster ride we've been on this season, it was just too merry-go-round.
Oh, but KOLYA! **pants**
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From:Which trailer? (There were Heroes, and BSG trailers, as well as SG trailers, all of which made me squee in various ways. Which one did you mean? *g*)
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From:I am going to need a *paper bag* during viewing.
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From:awesome point! and I love & agree with your squee over Elizabeth/Jack, especially in that scene with them by her back patio. so cute together...
I liked Elizabeth's backstory--the scene with her mom was very touching, and the one with her doggie! ::DOG!squee!!:: wasn't that Torri's own RL dog?
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his deep, deep need to show love through body counts. Especially his own.
From:Oh Kolya, I love you so. I really hope they haven't done something stoopid like not put any McKay/Kolya in the ep, because then I would *cry*.
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From:HELL YES. :)
But OMG FAMILY IN DANGER is a hotwire to his deep, deep need to show love through body counts. Especially his own. And you know, I love him for that. That is so very John.
So true. I didn't expect him to react any different than he did in this ep.
ALSO OMG NEXT WEEK WILL KILL ME. K-I-L-L. I may have shouted 'oh, god, nonononono' (Brian Kinney QAF 1x22-style) when I first saw it.
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From:John is such a cat. "Look! I bring you the gift of a dead squirrel! And see, I even left it on the doorstep so all the other squirrels will know to run away!"
Oh, next episode was in my top 10 just from reading the spoilers, much less seeing any of the previews. Of course, all they really had to say was JOHN! and I'm there... I just wonder if we'll actually get any backstory or if it's going to be more of him talking without saying anything. Which, as far as characterization goes, I love. But it's so frustrating!
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