I'm seven and a half hours from my flight to LA and I think the first load of clothes may be done washing. I should possibly go check that?

Okay, it does sound like I enjoy the stress, but beautiful part is, stress only begins when I begin packing; it's like a switch. Once the packing begins, so does the stress, be it a week early or while the cab honks outside. So if you will squint and ignore logic, it makes sense the majority of my packing is sometimes done while the cab is driving into the driveway.

...that's an exaggeration. The cab was late last time.

[personal profile] svmadelyn and I were given two glorious options by an old friend who I officially am nominating for sainthood that we're staying with. Well, I'm not actually sure what the second one was, as the first involved a deck, snacks, possibly some small, man-made body of heated water, and lounging. God, lounging. Like, half a country away from the current special hell that is the testing environments all kind of not working and the word 'deployment' means we all stare blankly at our screens and I, for one, have learned some surprisingly creative phrases in Hindi and Spanish to better explain to the screen the depth of my feelings. You might say to yourself, you are actually taking on faith they aren't teaching you something like "I smell like goats" or "Feet yay!" (okay, that would be hilarious).

In my defense, I am known to sing along to German heavy metal which I have been assured that despite the fact my ancestors actually came from that country (they left due to the reunification of--wait--the unification of two branches of German Protestantism. For some reason, I cannot get over the idea. They seem nice, I think) I sound like Wolverine with a hairball. As if Wolverine would get a goddamn hairball, so you see this is a total lie. Also, I apparently sing words that don't exist, or if they do, probably will summon Cthulhu or Pee-Wee Herman or some other epic and dreadful beast.

I may or may not have--please don't ask how--started a story that I assumed would be all post-beach-breakup angst and is--again, don't ask--Emma going to Charles for training because Shaw in between being a very special psycho never let her learn anything she could actually use against him. I don't even think they like each other, but I also am staring at five paragraphs of them getting drunk together because telepath do epic terrible jokes in between competitively trying to see if she can push him down the stairs before he can freeze her in place. They apparently have money riding on this. And Alex is the only one that doesn't hate her because it's the first time Charles has laughed since the beach.

...I literally keep staring at it wondering what the hell just happened. Though competitive stair-pushing, that I get.

So assuming I don't spend the night posting--which is totes possible--I will be in LA until next Wednesday and will be chasing down a grilled cheese truck like it insulted my mother because hello, double brie grilled cheese with fig jam? This has been missing from my life.



Later, he'll think the problem is he recognized it immediately, and that's why he didn't react.

Emma's boneless stroll across the room isn't out of character; Shaw oversaw the travesty of her initial training, and the practiced, contemptuous sexuality she'd been conditioned to flaunt is buried too deeply for her to easily discard. There's a polite fiction between them all that after an attack by a small and surprisingly vicious human militia she'd simply decided to disappear for a time; the truth is both more and less complicated. Charles offered her three months in Westchester to teach her the defenses that until now had been universally handled by a shift of form, a defense he and Charles had already proven could be overcome.

There's never been a way to ask the questions that Erik stores like treasures in a box locked so deeply in his mind that even he can't often find it, but when he looks at her, watches the slowly-evolving changes in the way she uses her body, the ripening certainty in what she is and what she can do, it's easier to admit (though no less frustrating) that Erik can't match Charles as instructor. More than one newly minted Brotherhood operative he's considered sending to Charles. He'd never refuse them, and if the price of education is being preached sweetness and light, those that choose to believe it deserve what they will reap.

Mostly, however, he watches her for those brief glimpses of Charles, the body language that's no longer entirely Shaw's creature and perhaps will never belong to anyone ever again: a tilt of the head, a brush of fingers against her temple when she attempts something new or something difficult, a certain way she smiles; if it were imagination, it would be so much easier to bear.

Even accustomed to her as he is, he's surprised as she settles on the coffee table before him, long legs spread on either side of his thighs, and for a second, he sees Charles' breathtaking smile, the one he gave Erik like a gift a lifetime ago, the glittering seductive warmth of a home that Erik can never accept.

"I never explained to you what I did when I controlled another person's body," she says, the faintest trace of Oxford in her voice; Erik stops breathing. "I'm both and neither; there's no way you could have known. I don't blame you for that. I never did."

Erik thinks of his helmet, of the others just outside this room, of what he knows of what Charles can do and the vastness he still doesn't and perhaps never will.

"I wish to request a meeting," Emma says, no, *Charles** says with Emma's mouth, Emma's voice, each consonant sharper; Emma's easy sensuality evaporates for the unconscious exercise of Charles' own. "The usual contacts weren't available."

"They're dead," Erik answers numbly as Charles picks curiously at the short hem of the A-line skirt. "They were--"

"No need to elaborate," Charles answers with a pretty wince. "Time and place are your choice, but I ask you only bring one person." Charles smiles ruefully. "For obvious reasons, I rarely have the luxury of traveling alone, so it only seems fair."

All unwitting, Erik's drawn to the impossible length of Emma's legs, the expanse of white leather stretching to mid-thigh and strip of pale golden skin before the edge of the skirt. Charles glances down at himself, mouth quirking. "If there were another way to assure delivery, I would have utilized it."

Standing up, Charles stares down at him; even in this body, Erik would recognize him, and in the end, it's the smile that decides him; in two years, its' the first time Charles has initiated contact with him, not the Brotherhood's leader. Erik is many things, and opportunistic has always been one of them.

"I'll be in touch," Charles says, easing down on the other side of the couch and shutting his eyes. Abruptly, the body goes limp, and when the blue eyes open, Emma looks back, surprisingly calm for what Charles had just done; he locks another question away before it can be formed.

Raising a hand to her face, she lazily rubs her eyes, then looks at Erik with neither surprise nor apology. "Charles didn't think secondhand delivery would be as effective."

*Charles.** Erik doesn't flinch, hearing the name she speaks with such casual ease, that he hasn't heard spoken since a deserted beach two years and two different men away. It's a jarring moment, the sudden, bitter jealousy in the intimacy of it, as if she'd stolen something that was his and his alone.

He should think betrayal; since she returned from Charles, the woman who obeyed without question or interest is seen less and less. Her services are bought and paid for, and he's never fooled himself that a higher bidder would never arrive--

--but this is Charles, and whatever this is, it's nothing so mundane and petty as sending a spy.

"He'll contact me in three days," she says, getting to her feet, hands automatically smoothing the front of her skirt. "Tell me what you-"

Erik answers before he thinks; impulsivity is nothing new. "I want speak to him directly."

Emma hesitates, looking at him with the first flare of actual, personal interest he thinks he's ever earned from her. "As you wish." Turning toward the door, she walks with Erik's memoy of Charles' careless, boneless stride before it melts back into something not quite Shaw and every question he's never asked of those three months floods back again.

It's perhaps preferable that she closed the door; he might have so lost himself as to ask.
scy: (Default)

From: [personal profile] scy Date: 2011-06-22 04:29 am (UTC)
OOOH. I like this, v. promising.

*bounces*

scy: (Default)

From: [personal profile] scy Date: 2011-06-22 05:01 am (UTC)
*demure look*

I am a lefty (but also ambidextrous), I can deal with sudden direction changes.
everysecondtuesday: glasses and milk tea in the morning (Default)

From: [personal profile] everysecondtuesday Date: 2011-06-22 04:47 am (UTC)
First, ooo, with fig jam? That sounds really interesting.

Second, eee, I want more of this. I'm super happy to see you writing in this fandom.
margrave: (Default)

From: [personal profile] margrave Date: 2011-06-22 06:20 am (UTC)
I - I think I'm absolutely IN love with the idea of Emma and Charles getting roaring drunk and attempt to push each other off the stairs. Because Emma understands what it is like to hear people's thoughts, to know how people will look at you and then to be dismissed as a none-threat because of the way you look. Well, fuck that, as if Emma would ever just stand back and treat Charles Xavier as a saint or be pitied. I think I REALL want it, and I never thoughts I did.

But moving on – EEEEEE! ERIK! OH, ERIK! To be SO JEASLOUS and REPRESSED, even about Charles name. I swim in your MAIN!PAIN!

In the meantime, why is Charles!As!Emma!FROST so VERY HOT? WHY?!!! I
margrave: (Default)

From: [personal profile] margrave Date: 2011-06-22 06:38 am (UTC)
EXACTLY! So damaged that they get it, shit happen, you deal with it and you move on.

And I think, on another level, it is because they don't feel obligated to each other on a personal level. That yes, Charles will obviously want to help Emma because Charles ALWAYS wants to help, and because, a mutation that's like his but not. GROOVY. And Emma is like, yeah, you are pretty powerful, but whatever, I can TURN my skin into DIAMOND.

The bagage, it is NOT there! Gods, they are going be the BESTEST of friends, and it will drive everybody completely crazy because it shouldn't work but it DOES! EEE! Oh, Raven, oh, that's going to be interesting right there.
icarus: Snape by mysterious artist (Default)

From: [personal profile] icarus Date: 2011-06-23 06:58 am (UTC)
In the meantime, why is Charles!As!Emma!FROST so VERY HOT? WHY?!!!

Agreed. And good question.

I think ... Charles is such a chameleon, he can use her sexuality as well as her voice. And that's hot.

Oh, good lord, I think we just found a way Charles can have a sex life--quite directly--despite the chair.

Please tell me someone has written this. Or else I might have to.
margrave: (Default)

From: [personal profile] margrave Date: 2011-06-23 08:40 am (UTC)
You are brilliant, and I'd like to eat your brain. Also, I've not seen anything like this yet. Just the idea of Charles using Emma as proxy for sexy!times is all sort of hot and wrong. And I think the only way I want it to happen is with Emma's agreement. Hell, she might agree just to fuck with Erik. The power dynamics in a relationship like this is deeply fascinating to me. Ohhh, the layers.

I'm incapable of producing good works of fic. You (or seperis) are only hope!
cesare: Charles Xavier in uniform from the film X-Men: First Class (xmfc - charles in charge)

From: [personal profile] cesare Date: 2011-06-22 07:36 am (UTC)
As much as I love the fraught Erik-Charles tension here, I even more love this vision of Emma Frost coming into her own! So wonderful. This is great.
ratcreature: Heh. RatCreature is amused. (heh.)

From: [personal profile] ratcreature Date: 2011-06-22 08:53 am (UTC)
Maybe you should try some lyrics from Slavic languages, if your ancestors were Sorbs?

And this snippet is very intriguing. I hope to see more.
ratcreature: RatCreature is thinking: hmm...? (hmm...?)

From: [personal profile] ratcreature Date: 2011-06-28 07:58 am (UTC)
There are books published by the people from that region into preserving their local customs and minority languages. It's not like they are all extinct or anything. Also Google led me to lots of CDs and LPs that have been published over the years and you can even listen to some musicians on YouTube (the linked song is not at all to my taste but it was the first hit when I searched), including rap in Sorbian, apparently, so it's not all looking backwards. Google shows me they also have opera composed in their language, e.g. a guy called Korla Awgust Kocor (the related German wikipedia article has a longer list of works.)
feanna: The cover of an old German children's book I inherited from my mother (Default)

From: [personal profile] feanna Date: 2011-06-22 11:35 am (UTC)
I'll read pretty much anything as long and Charles and Erik end up together in the end? I mean, I know I'm a sap, but I like it?

Emma and Charles being all crazy telepaths at each other and doing crazy/impossible stuff is however entirely awesome in it's own right too!

(Also, once Erik has to deal with both of them at the same time, he's going to break a little, probably, he's lucky that Charles loves him so much, as Charles probably wants him able to function, on the other hand it'll draw attention to him, so YOU BETTER TRY TO PREPARE YOUSELF NOW, "MAGNETO" (I still find that name, and "Professor X" basically ridiculous, which is why I totally love that the origin story for them is basically that some repressed kids on their first wild night out(or in really) basically drunk (on endorphines) gave them to their dads. I mean I get that they are comic book names and I do think that even the most ridiculous names can become something you identify as, but this is CHARLES and ERiK!).
cereta: Me as drawn by my FIL (Default)

From: [personal profile] cereta Date: 2011-06-22 12:31 pm (UTC)
Ooh, ooh, ooh. I would so read more of this.

Dammit, I'm going to need an icon, aren't I?
out_there: B-Day Present '05 (Default)

From: [personal profile] out_there Date: 2011-06-22 09:02 pm (UTC)
There's never been a way to ask the questions that Erik stores like treasures in a box locked so deeply in his mind that even he can't often find it

I love that phrase. And, to be honest, I love the amount of promise in this. The descriptions of Charles -- clearly so attractive to Erik, even in another body -- were fascinating.
icarus: Snape by mysterious artist (Default)

From: [personal profile] icarus Date: 2011-06-23 06:52 am (UTC)
Ah. This.

God, Charles is so casually powerful. And Erik considering Charles preaching "sweetness and light" a small price to pay, ha. What a great, complex arrangement they have. Charles trains potential weapons for Erik. And while Erik risks losing them, Charles risks the same. A system where the mutants have a genuine opportunity to make up their own minds because they have a foot in both camps. I see why Erik accepts the risk and why Charles is willing as well.

Yes, Erik is impulsive.

Love the way you indicate it's Charles, the Oxford accent, the subtle cues.

Annnd ... you really understand Emma. She was forged by Shaw, much like Erik, but using different triggers. Hmm. I'm now finding I dislike Shaw a great deal more.
icarus: Snape by mysterious artist (Default)

From: [personal profile] icarus Date: 2011-06-24 03:11 am (UTC)
That's what I was afraid of. And I hadn't even considered it before I read your story.

The question is ... how would Charles deal with such a trauma? Because of course he would know. Maybe not the emotional content, but certainly the images, the thoughts. He could extrapolate the feelings.

(That translates to: more, please.)
beatrice_otter: Mystique in X-Men gear from First Class (Mystique)

From: [personal profile] beatrice_otter Date: 2011-08-06 05:46 pm (UTC)
You will write more of this, right?

From: [identity profile] cathalin.livejournal.com Date: 2011-06-22 04:33 am (UTC)
Okay, omg, this is *amazing*. Only you. Emma as conduit/messenger/friend. I am dying for more of this, seriously. And I'm already super curious what the meeting's about -- though I can kind of guess/hope, haha.

Everyone at that Con is going to be so excited you're there!

From: [identity profile] seperis.livejournal.com Date: 2011-06-22 05:12 am (UTC)
I have no idea wtf happened there. It was just--there. And suddenly the fic I thought I was writing? Was very much something else.
ext_9649: (Default)

From: [identity profile] traveller.livejournal.com Date: 2011-06-22 05:35 am (UTC)
I haven't yet felt moved to write in this arena, because I'm not really a hundred percent on what I want to SAY. I just have all these feelings &c &c.

but I'm enjoying seeing what you have to say.

From: [identity profile] seperis.livejournal.com Date: 2011-06-22 06:45 am (UTC)
I am hoping for your feelings to blossom. *NODNODNOD*

And thank you!

From: [identity profile] fourfreedoms.livejournal.com Date: 2011-06-22 05:45 am (UTC)
Sometimes the 'what? keyboard you got away with me?' moments produce some of the bestest things ever. I really like this! It makes me want all kinds of terrible things I never thought I would! Er.

From: [identity profile] seperis.livejournal.com Date: 2011-06-22 06:46 am (UTC)
*GLEE* THANK YOU.

AND OMG I KNOW. It's like...oh, didn't see that coming.

From: [identity profile] aivilo-18.livejournal.com Date: 2011-06-22 07:22 am (UTC)
Good luck with the grilled cheese truck. You'll totally find it. I BELIEVE IN YOU.

From: [identity profile] aivilo-18.livejournal.com Date: 2011-06-22 07:25 am (UTC)
And, y'know, the fic is awesome and intriguing and I want more, which I would have also said had I not zeroed in on grilled cheese escapades immediately.

From: [identity profile] grey-bard.livejournal.com Date: 2011-06-22 08:31 am (UTC)
Emma-tastic First Class fic? Possibly with telepath bonding? Hell yes!

From: [identity profile] seperis.livejournal.com Date: 2011-06-28 07:30 am (UTC)
*grins* YES! Hopefully if I can make sense of it.

Thanks!

From: [identity profile] al-hazel.livejournal.com Date: 2011-06-22 12:55 pm (UTC)
Wow, I love this twist in the fic bit. I really enjoy seeing how Emma is growing to have her own agenda, and possibly be awesome :)

Love the communication between Charles and Erik.

From: [identity profile] seperis.livejournal.com Date: 2011-06-28 07:31 am (UTC)
Emma is impossibly awesome. Charles knows this, Erik is learning this, but they are not yet aware of the extent of her awesome.

Thank you!

From: [identity profile] annaalamode.livejournal.com Date: 2011-06-22 05:14 pm (UTC)
I am going to read the hell out of this story.

From: [identity profile] seperis.livejournal.com Date: 2011-06-28 07:31 am (UTC)
*glee* Thank you!

From: [identity profile] gjstruthseeker.livejournal.com Date: 2011-06-23 05:30 am (UTC)
NUGH, Charles with his casual "Want to see another trick?" and then the finger-wiggling his way into Erik's mind and then of course, of course this is the next step, and Erik would know, and just. I don't usually ask for more, it's incredibly rude to the author, but I would read and read and read this.

From: [identity profile] seperis.livejournal.com Date: 2011-06-28 07:31 am (UTC)
*dies* Not rude. thank you!

From: (Anonymous) Date: 2011-06-23 11:43 am (UTC)
This. was. SMOKIN. seriously. I can't tell what's more smokin' - Charles' awesome power, or Charles as Emma Frost.

woohoo!!! :)

From: [identity profile] seperis.livejournal.com Date: 2011-06-28 07:32 am (UTC)
*grins* Thanks!
ender24: (Default)

From: [personal profile] ender24 Date: 2011-07-10 11:56 am (UTC)
never knew how much I could like ms frost!

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